Content with the tag: patrimonio cultural

How can the cultural consumption of the new generations, particularly that of families with lower educational levels, be increased? Françoise Benhamou provides some key points in this interview.  

Income level influences habits in cultural participation online. What happens in our peer countries?

Playing an instrument, singing, photography... In 2015, some 14.2% of citizens undertook some amateur artistic activity at least once per week.

How much do countries invest in culture? In the last decade, the governmental authorities in Spain have reduced the funding of cultural services.

What is the impact of cultural activity on the economy? In 2014, services companies in Spain working in the cultural activity sector represented 3.73% of the total economy.

Happiness depends on many factors, prominently including participation in cultural and leisure activities. This article from the Social Observatory of "la Caixa" reflects on this theory in relation to the individual and social dimensions of culture.

This article from the Social Observatory of "la Caixa" analyses the role played by education and income in people’s participation in cultural activities of different types.

In this interview with the Social Observatory of "la Caixa" Jen Snowball shares her reflections on the value created by the art and culture sector and the concept of “culturally sustainable development”.

Reasons such as timings and distance may complicate the access of citizens to cultural spaces. In 2012, some 32% of the population of Spain considered it was difficult to access cultural services, 4 points higher than the European average.

What is the opinion of citizens regarding the cultural spaces available in their places of residence? This indicator shows in which European cities the residents appear to be most satisfied.

Víctor Fernández Blanco builds up a diagnosis regarding cultural participation, highlighting the different consumer profiles and the changes that these reflect in their behaviours and routines. 

In this interview David Throsby, a specialist in the economics of art and culture, offers a global view of what the concepts of culture and art mean, including their value as well as the relationship that these disciplines have with the economy. 

Insofar as cultural heritage is a common good, its governance should be carried out in a way that is transparent and open to citizens; it is for this reason that the contributions of users are as important as the skills of the experts.